A brand new Maestro Titan Boost pedal.
The Maestro Titan Boost provides over 25 dB of clean boost, so it can easily drive any tube amp into natural overdrive. Even better, it’s designed to be the ultimate tone-sculpting boost. Equipped with a classic Tone control and a variable HI-Pass filter, any high-frequency shrillness can be easily dialed out, and low-end muddiness can be well tamed. The Titan Boost creates the perfect boosted tone, regardless of guitar, pickups, or pickup switch position. The intuitive 3-knob control layout lets you quickly set the desired Tone (which functions as a traditional tone control/variable low-pass filter), HPF (variable high-pass filter), and adjust the Level of the output volume and boost. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
A LITTLE HISTORY ON MAESTRO PEDALS --- HATS OFF TO KEITH RICHARDS:
When Maestro first debuted with the FZ-1 Fuzz-Tone, in 1962, no one could have predicted its trailblazing success. By that time, Gibson, then operating under parent company Chicago Musical Instruments (CMI), had already used the Maestro brand name on accordions, accordion amplifiers, and the legendary Echoplex Tape Delay. When the FZ-1 was released, the guitar pedal market was nonexistent, and this odd effect, intended to conjure something resembling a horn sound, fell largely on deaf ears.
But then Keith Richards came along, and the Rolling Stones guitarist used the FZ-1 as a demo track on “Satisfaction” to signal how and when a horn section should enter the mix. “But he never meant for the part to be used on the final recording,” says Phil O’Keefe, Senior Editor, Gibson Brands. “It was strictly a demo. He thought, well, this is what we want the horns to do... Then that scratch track winds up on the final version, and ‘Satisfaction’ turns out to be the song of the summer in ‘65.” Gibson sold every FZ-1 in stock. It was really the first commercially successful pedal,” O’Keefe continues. “And it set the entire pedal world into motion.”
Gibson has relaunched the Maestro brand with an all-new line of effect pedals. The Maestro Original Collection includes a new Fuzz-Tone FZ-M, reminiscent of the instantly recognizable tones of the first-ever Maestro pedal, the much-mythologized FZ-1. Alongside it, the Orbit Phaser, a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. Other hits in the range are the Ranger Overdrive, the Invader Distortion, the Comet Chorus, and much more.